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The strength of the controlled character allows for superhuman feats of destruction against multiple foes, and the battles revolve around defeating large numbers of enemies. Additionally, missions are completed (in general) by defeating "gate captains" and eventually a boss and/or mini-bosses. Samurai Heroes mixes up the gameplay by adding in other objectives, as well, such as guarding a castle or destroying an enemy's food reserves. The uniqueness of each character allows for different fighting styles, such as those which focus on hitting a large number of enemies versus those which focus on a few (excellent for killing boss characters). Combos can be easily performed, and characters have the ability to gain levels by completing stages, eventually unlocking skills and/or adding additional power to their existing ones. Weapon acquisition and customization is also an integral element of the game. NPC characters that serve as bosses and/or mini-bosses with no role in the story, and aren't playable in any of the games (have made their first appearance in Samurai Heroes): Matsunaga Hisahide (**) did appear in Sengoku BASARA 2 Heroes as an NPC but he makes his first playable appearance in Sengoku BASARA 3 Utage SB However this doesn't affect the EXP and spoils of war received after finishing stages, unlike Devil Kings.Ĭharacters marked with (*) are unplayable NPCs (except for Takeda Shingen, who was only in cutscenes) in the original game that have become playable in its expansion, Sengoku BASARA 3 Utageīold denotes starter characters in the main game and Samurai Heroes The difficulty levels were named differently in the Western versions of the game to make the game more difficult (with the Japanese Normal becoming Easy and Japanese Hard becoming Normal). Nanbu Harumasa, Satake Yoshishige, Utsunomiya Hirotsuna, Anegakōji Yoritsuna, Amago Haruhisa, and Naoe Kanetsugu. The opening theme is "Naked arms" by T.M.Revolution. The American version of the game uses the English version of "Naked Arms" as its opening. The ending theme is "Gyakkō" by Chiaki Ishikawa. The American version of the games uses an instrumental track called "Kizuna, Kokorozashi, Inochi" by Kow Otani, due to licensing restrictions. In North America, the game received "mixed or average" reviews on both platforms according to the review aggregation website Metacritic. In Japan, the game received "generally favorable" reviews.